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TOKYO TO NEW YORK 東京 と ニューヨーク SUNDAY, OCTOBER 18, 2015 2015年10月18日（日曜日） NYC |
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THOMAS PIERCY
Clarinet & Hichiriki トーマス・ピアシー クラリネット ＆ 篳篥 CHATORI SHIMIZU Shō 清水チャートリー 笙 JUN ANDO Koto 安藤準 箏 TAKA KIGAWA Piano 木川貴幸 ピアノ JUDITH OLSON Piano ジュディス·オルソン ピアノ |
New Music by Tokyo & NYC Composers
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"Tokyo to New York” - under the direction of Thomas Piercy - celebrates connections between Tokyo and New York City with a series of concerts featuring new works composed for Western classical instruments as well as traditional Japanese
instruments including the hichiriki, shakuhachi, sho, and koto. The concerts include a wide variety of styles of music, from Japanese avant-garde to American contemporary classical, abstract to minimalism, neo-Romantic to tango nuevo, J-pop to jazz-influenced pieces. The composers have ranged from 19 to 92 years of age. They come from all walks of life and experience: from university students to university professors; from self-taught composers to composers with Ph.Ds; from emerging composers to composers that have won such prominent awards as the Takemitsu Prize, Grammy Award, Latin Grammy Award, and the Pulitzer Prize. The musicians of “Tokyo to New York” have had the opportunity to work with many of the Japanese and American composers programmed in these concerts, and since 2012, “Tokyo to New York” has performed over 60 world premiers and numerous Japan and United States Premiers. The New York Times selected a recent “Tokyo to New York” concert as a critics’ pick concert of the week; NYClassical Review wrote of a “Tokyo to New York” concert as a season highlight; and a review from Lucid Culture Magazine described a “Tokyo to New York” concert as "…a fascinatingly eclectic, virtuosic program of new chamber works." ”Tokyo to New York” にお越しいただき誠にありがとうございます。 「Tokyo to New York」コンサートシリーズは東京とニューヨークで創作される音楽を祝うコンサートシリーズです。いわゆる西洋の楽器と日本の伝統楽器のために作曲された曲目を演奏します。アバンギャルドからコンテンポラリー、前衛からミニマリズム、またはJポップやジャズなど幅の広いスタイルの音楽をお届けします。「Tokyo to New York」コンサートは、日米の作曲家とその両国で活動する演奏家とのコラボレーションによるコンサートです。 初年度2012年以来、「Tokyo to New York」コンサートシリーズで初演した作品数は、世界初演60作品、日本初演16作品、米国初演21作品を数えています。 米国での「Tokyo to New York」コンサートはニューヨークタイムズ紙の批評家のピックアップ・コンサートとして選ばれ、NYClassical Review紙は「Tokyo to New York」コンサートをニューヨークにおけるコンサートシーズンのハイライトとして紹介しています。 Lucid Culture Magazine は「優れた演奏に裏打ちされたジャンルの広い、新作品を集めた室内楽コンサート」と 評されました。 ニューヨークのオンラインマガジンLucid Cultureには、「ピアシーが奏でる日本とアメリカの作曲家たちによる芳醇なプログラム」、「目を見張るような多様性と技巧性にあふれた室内楽作品は、日本の作曲家によるニューヨークへの視点と、アメリカの作曲家による日本への視点に基づいて書かれている。作品の多くは比較的短いけれども、演奏者たちはみな情熱と深い洞察力、繊細さを持って、多種多様な性格を持つ作品群を見事に解釈してみせた」と評価されています。 |
TOKYO TO NEW YORK
Tenri Cultural Institute 43A W. 13th St. NY, NY 10011 October 18, 2015 • Sunday, 4pm $25 ($15 Senior/Student) RESERVATIONS: [email protected] 212-645-2800 For more information, please contact: [email protected] This concert is Co-Presented with Arts at Tenri. |
THOMAS PIERCY
THOMAS PIERCY is a critically acclaimed musician with orchestral, concerto, solo recital and chamber music appearances throughout the Americas, Europe and Asia. Described by The New York Times as “Brilliant...playing with refinement and flair…evoking a panache in the contemporary works...".
A versatile artist defying categorization – performing on the Emmy Award-winning Juno Baby CDs and DVDs; playing Rhapsody in Blue with pianist Earl Wild; performing concert improvisations with jazz pianist Donal Fox; performing Mozart with mezzo-soprano Frederica von Stade; playing Broadway songs with Raoul Julia; conducting Cabaret or Rodgers & Hammerstein; working with the composer Leonard Bernstein; appearing in a KRS-ONE music video; recording with members of Maroon 5; cited by the New York Times for his performances of Brahms and Beethoven as well as contemporary pieces written for him - as an instrumentalist, singer, director and music director/conductor and actor, he has performed/recorded for Broadway and Off-Broadway, television, radio, video and commercial recordings. Since 2005, he has lived in both NYC and Tokyo.
Mr. Piercy has performed at many of the worlds acclaimed concerts halls including Carnegie Hall (NY, NY), Lincoln Center (NY, NY), the Kennedy Center (Washington, DC.), the Dame Myra Hess Memorial Concert Series (Chicago, Illinois), Centre Pompidou (Paris, France), Wigmore Hall (London, England), Accademia di Santa Cecilia (Rome, Italy) and Parthenon (Tokyo, Japan). His many festival appearances have included a featured performance in memory of Leon Russianoff at the 1991 International ClarinetFest, a concert of contemporary American music at the 2005 ClarinetFest in Tokyo, Japan, and an all-Piazzolla concert at the 2007 International Clarinet Festival in Vancouver, Canada.
A recipient of numerous scholarships, prizes and awards, he studied clarinet, voice and conducting at the Juilliard School, Mannes College of Music, Virginia Commonwealth University and Shenandoah Conservatory. Piercy's earliest studies were in voice; his clarinet studies have been with Dr. Stephen Johnston, Gervase De Peyer, Leon Russianoff, and Kalmen Opperman. He has studied the hichiriki in Tokyo with the acclaimed hichirki performer Hitomi Nakamura. He has had arrangements and transcriptions published by Boosey & Hawkes, and as an assistant to Kalmen Opperman, he has contributed to clarinet study books and clarinet compositions published by Carl Fischer, Inc., and Baron Publishing.
A frequent performer of new music, Mr. Piercy has premiered numerous compositions written for him, including over 60 new pieces in the ""Tokyo to New York" series of concerts. Ned Rorem, a Pulitzer Prize winner and Grammy Award-winning composer, wrote his only clarinet and piano piece, "Four Colors," for Mr. Piercy. The work had its premier at an 80th birthday concert celebration for Mr. Rorem at Carnegie Hall in 2003.
Piercy's discography includes "Gotham Ensemble Plays Ned Rorem", a CD of chamber music featuring the clarinet (Albany Records), "CAFE", a CD of music for clarinet and guitar (Tonada Records), the world-premier recording of Sir Richard Rodney Bennett's "Ballad in Memory of Shirley Horn" (Tonada Records), and the Emmy Award-winning "Juno Baby" CDs and DVDs."
More information at: www.thomaspiercy.com
Mr. Piercy is an official Rossi Clarinet, Forestone Reeds and Silverstein Ligature artist.
www.rossiclarinet.com www.forestone-japan.com www.silversteinworks.com
THOMAS PIERCY is a critically acclaimed musician with orchestral, concerto, solo recital and chamber music appearances throughout the Americas, Europe and Asia. Described by The New York Times as “Brilliant...playing with refinement and flair…evoking a panache in the contemporary works...".
A versatile artist defying categorization – performing on the Emmy Award-winning Juno Baby CDs and DVDs; playing Rhapsody in Blue with pianist Earl Wild; performing concert improvisations with jazz pianist Donal Fox; performing Mozart with mezzo-soprano Frederica von Stade; playing Broadway songs with Raoul Julia; conducting Cabaret or Rodgers & Hammerstein; working with the composer Leonard Bernstein; appearing in a KRS-ONE music video; recording with members of Maroon 5; cited by the New York Times for his performances of Brahms and Beethoven as well as contemporary pieces written for him - as an instrumentalist, singer, director and music director/conductor and actor, he has performed/recorded for Broadway and Off-Broadway, television, radio, video and commercial recordings. Since 2005, he has lived in both NYC and Tokyo.
Mr. Piercy has performed at many of the worlds acclaimed concerts halls including Carnegie Hall (NY, NY), Lincoln Center (NY, NY), the Kennedy Center (Washington, DC.), the Dame Myra Hess Memorial Concert Series (Chicago, Illinois), Centre Pompidou (Paris, France), Wigmore Hall (London, England), Accademia di Santa Cecilia (Rome, Italy) and Parthenon (Tokyo, Japan). His many festival appearances have included a featured performance in memory of Leon Russianoff at the 1991 International ClarinetFest, a concert of contemporary American music at the 2005 ClarinetFest in Tokyo, Japan, and an all-Piazzolla concert at the 2007 International Clarinet Festival in Vancouver, Canada.
A recipient of numerous scholarships, prizes and awards, he studied clarinet, voice and conducting at the Juilliard School, Mannes College of Music, Virginia Commonwealth University and Shenandoah Conservatory. Piercy's earliest studies were in voice; his clarinet studies have been with Dr. Stephen Johnston, Gervase De Peyer, Leon Russianoff, and Kalmen Opperman. He has studied the hichiriki in Tokyo with the acclaimed hichirki performer Hitomi Nakamura. He has had arrangements and transcriptions published by Boosey & Hawkes, and as an assistant to Kalmen Opperman, he has contributed to clarinet study books and clarinet compositions published by Carl Fischer, Inc., and Baron Publishing.
A frequent performer of new music, Mr. Piercy has premiered numerous compositions written for him, including over 60 new pieces in the ""Tokyo to New York" series of concerts. Ned Rorem, a Pulitzer Prize winner and Grammy Award-winning composer, wrote his only clarinet and piano piece, "Four Colors," for Mr. Piercy. The work had its premier at an 80th birthday concert celebration for Mr. Rorem at Carnegie Hall in 2003.
Piercy's discography includes "Gotham Ensemble Plays Ned Rorem", a CD of chamber music featuring the clarinet (Albany Records), "CAFE", a CD of music for clarinet and guitar (Tonada Records), the world-premier recording of Sir Richard Rodney Bennett's "Ballad in Memory of Shirley Horn" (Tonada Records), and the Emmy Award-winning "Juno Baby" CDs and DVDs."
More information at: www.thomaspiercy.com
Mr. Piercy is an official Rossi Clarinet, Forestone Reeds and Silverstein Ligature artist.
www.rossiclarinet.com www.forestone-japan.com www.silversteinworks.com
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CHATORI SHIMIZU
Chatori Shimizu is a New York City-based composer, researcher, instrumentalist, and sound artist, who constructs his works for a wide range of mediums concerning sound and space. Ranging from orchestral works to sound installations, all of his works are composed in a conceptual restriction, engaging in repetitive patterns of sound and its hysterical demolition. Shimizu's award winning works have been performed and exhibited throughout the United States, Japan, and Europe. He also provides his music to numerous advertising jingles, media programs, and transmission arts for Tokyo Broadcasting System Inc. (TBS), Radio Nippon, Wave Farm, TakePart, and has scored for multiple films, animations, theatre, and popular music records.
As a multi-instrumentalist, Shimizu has been actively participating in premiering works for piano written by himself and other composers. He received his Diploma in Piano Performance at the age of twelve from the Australian Guild of Music and Speech, with a recognition of the High Honours Award. He has also performed extensively as a shō soloist, in venues such as Experimental Intermedia, Pioneer Works, and SUNY Purchase among others. He has studied piano under Satoko Inoue, and shō under Mayumi Miyata. In the summer of 2015, he participated in the Gagaku-Hōgaku Mentor/Protégé Program, hosted by the Institute of Medieval Japanese Studies (Columbia University), as an assistant coordinator of the program.
Shimizu was born in Osaka, Japan, and spent his formative years in Thailand and Singapore. He received his BA from Kunitachi College of Music, Tokyo, and was awarded the Arima Prize upon graduating as a top student in his graduating class. He is currently pursuing his masters degree at the Computer Music Center (CMC) in Columbia University as a scholarship student, researching the expressive usages of new technologies in sound arts. For more information, please visit: www.chatorishimizu.com
Chatori Shimizu is a New York City-based composer, researcher, instrumentalist, and sound artist, who constructs his works for a wide range of mediums concerning sound and space. Ranging from orchestral works to sound installations, all of his works are composed in a conceptual restriction, engaging in repetitive patterns of sound and its hysterical demolition. Shimizu's award winning works have been performed and exhibited throughout the United States, Japan, and Europe. He also provides his music to numerous advertising jingles, media programs, and transmission arts for Tokyo Broadcasting System Inc. (TBS), Radio Nippon, Wave Farm, TakePart, and has scored for multiple films, animations, theatre, and popular music records.
As a multi-instrumentalist, Shimizu has been actively participating in premiering works for piano written by himself and other composers. He received his Diploma in Piano Performance at the age of twelve from the Australian Guild of Music and Speech, with a recognition of the High Honours Award. He has also performed extensively as a shō soloist, in venues such as Experimental Intermedia, Pioneer Works, and SUNY Purchase among others. He has studied piano under Satoko Inoue, and shō under Mayumi Miyata. In the summer of 2015, he participated in the Gagaku-Hōgaku Mentor/Protégé Program, hosted by the Institute of Medieval Japanese Studies (Columbia University), as an assistant coordinator of the program.
Shimizu was born in Osaka, Japan, and spent his formative years in Thailand and Singapore. He received his BA from Kunitachi College of Music, Tokyo, and was awarded the Arima Prize upon graduating as a top student in his graduating class. He is currently pursuing his masters degree at the Computer Music Center (CMC) in Columbia University as a scholarship student, researching the expressive usages of new technologies in sound arts. For more information, please visit: www.chatorishimizu.com
JUN ANDO
JUN ANDO is a NYC-based visual/auditory interactive artist who works on painting, music composition, Japanese koto playing and interactive programming. As a multimedia performer, Ando uses the Japanese Koto with effect processors and Max/msp for interactive sound/3D graphic visual projections. Pursuing the strong passion for creating new music combining western classical and Japanese traditional music in modern styles of music, Ando acts as a solo performer, a member of improvisational ensembles, traditional Japanese ensembles, and work with jazz fusion bands.
Ando studied physics and quantum mechanics in college which now fuels his philosophy and creations about existence. He views the world as a flowing river or stream, and that behavior and life has importance. Ando's existential mind expresses these influences with the tones and score of an abandoned spirit. To express all the aspects of his creativity, Ando formed the multimedia dance company ARis// Absolute Reality of the Indefinite Sense in 2011. He won an award from the John Lennon Song Writing Contest in 2013, and was nominated for an award in the Rain Dance Film Festival in 2014.
JUN ANDO is a NYC-based visual/auditory interactive artist who works on painting, music composition, Japanese koto playing and interactive programming. As a multimedia performer, Ando uses the Japanese Koto with effect processors and Max/msp for interactive sound/3D graphic visual projections. Pursuing the strong passion for creating new music combining western classical and Japanese traditional music in modern styles of music, Ando acts as a solo performer, a member of improvisational ensembles, traditional Japanese ensembles, and work with jazz fusion bands.
Ando studied physics and quantum mechanics in college which now fuels his philosophy and creations about existence. He views the world as a flowing river or stream, and that behavior and life has importance. Ando's existential mind expresses these influences with the tones and score of an abandoned spirit. To express all the aspects of his creativity, Ando formed the multimedia dance company ARis// Absolute Reality of the Indefinite Sense in 2011. He won an award from the John Lennon Song Writing Contest in 2013, and was nominated for an award in the Rain Dance Film Festival in 2014.
TAKA KIGAWA
Critically acclaimed pianist TAKA KIGAWA has earned outstanding international recognition as a recitalist, soloist, and chamber music artist since winning First Prize in the prestigious 1990 Japan Music Foundation Piano Competition in Tokyo, and the Diploma Prize at the 1998 Concurs Internacional Maria Canals De Barcelona in Spain, with such accolades from The New York Times as “Phenomenon. There’s no denying that he is something special,” “The extraordinary pianist.” and from The New Yorker “Unbelievably challenging program. Kigawa is an artist of stature.” and from La Nación (Buenos Aires) “Taka Kigawa is a stupendous virtuoso.” His New York City recital in 2010 was chosen as one of the best concerts of the year by The New York Times. His New York City recital in August 2011 was picked as one of the most notable concerts in the 2011-2012 season by Musical America. Also his Buenos Aires recital in April 2014 was chosen as one of the best concerts of the year by Argentina’s leading paper, La Nación.
He has performed extensively as a recitalist and soloist in New York, Washington DC, Boston, Cleveland, Paris, Milan and Barcelona, with appearances in Weill Recital Hall at Carnegie Hall, Alice Tully Hall, Kosciuszko Foundation, Severance Hall in Cleveland, Cité de la Musique, and Salle Gaveau in Paris, Plau de la Música Catalana in Barcelona, and Teatro Colón in Buenos Aires. He frequently tours in his native Japan, appearing in Tokyo, Osaka, Nagano and Kyoto, both as a recitalist and a soloist with orchestra and in chamber music groups. He has performed with such distinguished institution as The Cleveland Orchestra. He has been a featured artist on many television and radio networks throughout the U.S., Europe and Asia.
His repertoire is extremely large and varied, ranging from the baroque to avant-garde compositions of today. He has collaborated closely with such renowned musicians as Pierre Boulez, Myung-Whun Chung and Jonathan Nott. Also he premiered the last solo piano piece of late Yusef Lateef, the jazz legend, in New York City in 2013. Mr. Kigawa grew up in Nagano, Japan, where he began piano studies at the age of three, winning his first competition at the age of seven. He received his Bachelor of Arts degree from Shinsyu University, and his Master of Arts degree from Tokyo Gakugei (Liberal Arts) University, graduating with honors in Piano Performance. During both his undergraduate and graduate years, he also studied composition and conducting, receiving high honors in both disciplines. He furthered his studies in the United States at The Juilliard School in New York, where he earned his Master of Music degree. Mr. Kigawa currently lives in New York City, U.S.A. For more information, visit: www.takakigawa.com
Critically acclaimed pianist TAKA KIGAWA has earned outstanding international recognition as a recitalist, soloist, and chamber music artist since winning First Prize in the prestigious 1990 Japan Music Foundation Piano Competition in Tokyo, and the Diploma Prize at the 1998 Concurs Internacional Maria Canals De Barcelona in Spain, with such accolades from The New York Times as “Phenomenon. There’s no denying that he is something special,” “The extraordinary pianist.” and from The New Yorker “Unbelievably challenging program. Kigawa is an artist of stature.” and from La Nación (Buenos Aires) “Taka Kigawa is a stupendous virtuoso.” His New York City recital in 2010 was chosen as one of the best concerts of the year by The New York Times. His New York City recital in August 2011 was picked as one of the most notable concerts in the 2011-2012 season by Musical America. Also his Buenos Aires recital in April 2014 was chosen as one of the best concerts of the year by Argentina’s leading paper, La Nación.
He has performed extensively as a recitalist and soloist in New York, Washington DC, Boston, Cleveland, Paris, Milan and Barcelona, with appearances in Weill Recital Hall at Carnegie Hall, Alice Tully Hall, Kosciuszko Foundation, Severance Hall in Cleveland, Cité de la Musique, and Salle Gaveau in Paris, Plau de la Música Catalana in Barcelona, and Teatro Colón in Buenos Aires. He frequently tours in his native Japan, appearing in Tokyo, Osaka, Nagano and Kyoto, both as a recitalist and a soloist with orchestra and in chamber music groups. He has performed with such distinguished institution as The Cleveland Orchestra. He has been a featured artist on many television and radio networks throughout the U.S., Europe and Asia.
His repertoire is extremely large and varied, ranging from the baroque to avant-garde compositions of today. He has collaborated closely with such renowned musicians as Pierre Boulez, Myung-Whun Chung and Jonathan Nott. Also he premiered the last solo piano piece of late Yusef Lateef, the jazz legend, in New York City in 2013. Mr. Kigawa grew up in Nagano, Japan, where he began piano studies at the age of three, winning his first competition at the age of seven. He received his Bachelor of Arts degree from Shinsyu University, and his Master of Arts degree from Tokyo Gakugei (Liberal Arts) University, graduating with honors in Piano Performance. During both his undergraduate and graduate years, he also studied composition and conducting, receiving high honors in both disciplines. He furthered his studies in the United States at The Juilliard School in New York, where he earned his Master of Music degree. Mr. Kigawa currently lives in New York City, U.S.A. For more information, visit: www.takakigawa.com
JUDITH OLSON
Pianist Judith Olson, a graduate of The Juilliard School, made her New York debut with Alexander Schneider conducting , and has since toured North, Central and South America, Europe, the Middle East and Korea as soloist and in collaboration with leading instrumentalists, including Kyung Wha Chung, Eugene Fodor, Miriam Fried, Joseph Fuchs, Jean-Jacques Kantorow,, Rolf Schulte and Tossy Spivakovsky.
Pianist Judith Olson began her musical career as a violinist. She was awarded a full scholarship in violin by the Music Academy of the West in Santa Barbara, and began her college studies at the University of Redlands in California, where she was a violin major and a member of the University of Redlands String Quartet. At the age of seventeen, she began piano studies at Redlands and discovered that she had a remarkable facility for the keyboard. After seven months of study, she appeared in concert as first prize winner of the Redlands Bowl Young Artists Competition and was engaged as soloist with the Riverside Symphony.
After two years at Redlands, Ms. Olson auditioned for The Juilliard School as a pianist (but brought the violin along, just in case). She was accepted and subsequently received Bachelor's and Master's degrees as a scholarship pupil of Beveridge Webster. After graduation, she worked extensively with Nadia Reisenberg.
Ms. Olson has appeared at major halls including Avery Fisher Hall, Alice Tully Hall, and The John F. Kennedy Center for the Performing Arts, and has participated in the festivals of Ankara, Bard, Bar Harbor, Capri, Caramoor, Chautauqua, Killington and Newport. This versatile artist has performed Beethoven at Bard, Rachmaninoff at Newport, and as an advocate for new music, she was a Special Award winner in the 1981 International American Music Competition sponsored by Carnegie Hall and The Rockefeller Foundation and was featured in a nationally televised documentary for Bravo, "Playing to Win." She has premiered works written for her, including Otto Luening's last work for piano, "Fantasia Etudes" (1994) and has appeared as soloist for many new music series. She has presented a series of Composer Portrait recitals; featured composers have included Lee Hoiby, Benjamin Lees, William Mayer, Ned Rorem and Olav Anton Thommessen. Ms. Olson has recorded the clarinet chamber music of Ned Rorem with clarinetist Thomas Piercy (Albany Records). She has also recorded for Capstone, Newport Classics, MMO Laureate Series and RCA, and is currently recording the solo piano music of jazz composer Ed Bland.
Pianist Judith Olson, a graduate of The Juilliard School, made her New York debut with Alexander Schneider conducting , and has since toured North, Central and South America, Europe, the Middle East and Korea as soloist and in collaboration with leading instrumentalists, including Kyung Wha Chung, Eugene Fodor, Miriam Fried, Joseph Fuchs, Jean-Jacques Kantorow,, Rolf Schulte and Tossy Spivakovsky.
Pianist Judith Olson began her musical career as a violinist. She was awarded a full scholarship in violin by the Music Academy of the West in Santa Barbara, and began her college studies at the University of Redlands in California, where she was a violin major and a member of the University of Redlands String Quartet. At the age of seventeen, she began piano studies at Redlands and discovered that she had a remarkable facility for the keyboard. After seven months of study, she appeared in concert as first prize winner of the Redlands Bowl Young Artists Competition and was engaged as soloist with the Riverside Symphony.
After two years at Redlands, Ms. Olson auditioned for The Juilliard School as a pianist (but brought the violin along, just in case). She was accepted and subsequently received Bachelor's and Master's degrees as a scholarship pupil of Beveridge Webster. After graduation, she worked extensively with Nadia Reisenberg.
Ms. Olson has appeared at major halls including Avery Fisher Hall, Alice Tully Hall, and The John F. Kennedy Center for the Performing Arts, and has participated in the festivals of Ankara, Bard, Bar Harbor, Capri, Caramoor, Chautauqua, Killington and Newport. This versatile artist has performed Beethoven at Bard, Rachmaninoff at Newport, and as an advocate for new music, she was a Special Award winner in the 1981 International American Music Competition sponsored by Carnegie Hall and The Rockefeller Foundation and was featured in a nationally televised documentary for Bravo, "Playing to Win." She has premiered works written for her, including Otto Luening's last work for piano, "Fantasia Etudes" (1994) and has appeared as soloist for many new music series. She has presented a series of Composer Portrait recitals; featured composers have included Lee Hoiby, Benjamin Lees, William Mayer, Ned Rorem and Olav Anton Thommessen. Ms. Olson has recorded the clarinet chamber music of Ned Rorem with clarinetist Thomas Piercy (Albany Records). She has also recorded for Capstone, Newport Classics, MMO Laureate Series and RCA, and is currently recording the solo piano music of jazz composer Ed Bland.
For more information about "Tokyo to New York" Concerts - please visit www.tonadaproductions.com/tokyo-to-new-york
Contact us at: [email protected]
